Mississippi in the 1910s produced some of our country’s greatest blues artists. It also produced one of our greatest operatic singers, soprano Leontyne Price. The bar she set for singers has remained high. “When I was a student I used to travel on the subway between Queens and Julliard,” remembers Renée Fleming, “literally invoking Heaven to give me her high C. And unfortunately it never worked.”
While Price is associated with the great Verdi roles, her debut recording in 1959 focused on a different vocal tradition, leider— poems set to music. A Program of Song contains works by Richard Strauss, Gabriel Fauré, and Francis Poulenc. “The art of the song recital has to some degree been marginalized,” Fleming says. “I think that’s a great tragedy. The combination of music and poetry in a concert setting that’s much more intimate than opera, for me, is absolute magic. And she could do both. Very few singers historically have been able to go back and forth.”
Price’s A Program of Song was inducted into the National Recording Registry in 2013.